Untitled

Benjamin SABATIER’s limited collection manifests clearly the critical issue between the concrete material, tertiary activity and the practice of skateboarding. Inspired by his frequent use of concrete as an artistic tool, the printed edition triptych mimics SABATIER’s original artworks and shows a gray, industrial background with pieces of colored paper scattered across it.  The fragments of administrative colored paper featured on the surface of the boards, are a replica of those collected from the floor of the artist’s studio, allowing him to paint directly with the "color of the economy".