Study of Perspective - Reichstag
Limited Edition of 49
A new hand-signed edition by Ai Weiwei continuing THE SKATEROOM’s ongoing collaboration with the artist.
In Study of Perspective – Reichstag, Ai Weiwei turns his attention toward one of Europe’s most historically charged political landmarks. Through the now-iconic gesture central to the series, the work confronts structures of authority, nationalism, and institutional power.
Released exclusively as a 72-hour time-limited edition, each deck is hand-signed and chronologically numbered according to order of purchase. The final edition size will only be revealed once the release window closes.
Produced with museum-grade quality and accompanied by a certificate of authenticity.
Available to collect for 72 hours only.
About the Artist
Ai Weiwei (b. 1957) is a Chinese artist, filmmaker and outspoken activist whose wide‑ranging practice merges sculpture, installation, architecture, photography and public‑intervention.
After spending time in New York in the 1980s, Ai returned to Beijing in the early 1990s, helping found the experimental artist‑space China Art Archives & Warehouse (CAAW). His art frequently engages themes of freedom, surveillance, and human rights: for example, his monumental porcelain installation Sunflower Seeds (2010) at the Turbine Hall of the Tate Modern deployed 100 million hand‑crafted porcelain seeds weighing ~10 tonnes.
In 2011 he was detained by Chinese authorities for 81 days and later prohibited from travel—events that turned his own biography into part of his art. Today he works across multiple global bases, including Portugal, Germany and the UK, continuing to challenge the structures of power, craft, and cultural production.
Ai Weiwei (b. 1957) is a Chinese artist, filmmaker and outspoken activist whose wide‑ranging practice merges sculpture, installation, architecture, photography and public‑intervention.
After spending time in New York in the 1980s, Ai returned to Beijing in the early 1990s, helping found the experimental artist‑space China Art Archives & Warehouse (CAAW). His art frequently engages themes of freedom, surveillance, and human rights: for example, his monumental porcelain installation Sunflower Seeds (2010) at the Turbine Hall of the Tate Modern deployed 100 million hand‑crafted porcelain seeds weighing ~10 tonnes.
In 2011 he was detained by Chinese authorities for 81 days and later prohibited from travel—events that turned his own biography into part of his art. Today he works across multiple global bases, including Portugal, Germany and the UK, continuing to challenge the structures of power, craft, and cultural production.