

Tree, Place Vendôme 2014
Limited Edition of 100
With this third collaboration with Paul McCarthy, we are launching an exclusive triptych edition depicting the American artist’s infamous and controversial work, Tree, Place Vendôme 2014. After Parisians dubbed it unacceptable in 2014, saying it resembled an enormous green butt plug and leaving it a deflated mess, Tree[...] makes a triumphant return in these editions. The limited edition skateboards “underline a kind of duality between a backward-looking vision of art and its modern form. The crowd, reporters and onlookers, placed anecdotally at the very bottom, are overwhelmed by the work.” Continuing our successful collaboration with Paul McCarthy, this triptych skateboard edition will raise support for the work of award-winning skate & education organisation Skateistan South Africa.


About the Artist

Paul McCarthy (b. 1945) is a provocative American artist based in Los Angeles, acclaimed for his shock‑charged performances, sculpture, and installations that confront consumer culture and societal taboos. Working across video, film, and sculpture, McCarthy transforms familiar icons—Disney characters, fast‑food motifs, consumer products—into grotesque and often comical critiques of contemporary life.
From raw performances in the 1970s to large-scale installations like WS, where he twisted the Snow White myth into a disturbing multimedia experience, McCarthy unapologetically probes themes of sexuality, identity, and power through messy, absurdist spectacle.
His inflatable works—such as the infamous Paris “Tree,” a 24 m green sculpture cheekily resembling a sex toy—entertain and unsettle, cementing his status as a fearless interrogator of cultural fantasies and taboos.
A foundational figure in contemporary art, McCarthy has exhibited globally in venues including Tate Modern, Guggenheim, MoCA, and Park Avenue Armory.
Paul McCarthy (b. 1945) is a provocative American artist based in Los Angeles, acclaimed for his shock‑charged performances, sculpture, and installations that confront consumer culture and societal taboos. Working across video, film, and sculpture, McCarthy transforms familiar icons—Disney characters, fast‑food motifs, consumer products—into grotesque and often comical critiques of contemporary life.
From raw performances in the 1970s to large-scale installations like WS, where he twisted the Snow White myth into a disturbing multimedia experience, McCarthy unapologetically probes themes of sexuality, identity, and power through messy, absurdist spectacle.
His inflatable works—such as the infamous Paris “Tree,” a 24 m green sculpture cheekily resembling a sex toy—entertain and unsettle, cementing his status as a fearless interrogator of cultural fantasies and taboos.
A foundational figure in contemporary art, McCarthy has exhibited globally in venues including Tate Modern, Guggenheim, MoCA, and Park Avenue Armory.