Throwing Three Balls in the Air to get a Straight Line (Best of Thirty-Six Attempts)
Édition limitée de 30
L'une des séries photographiques les plus emblématiques de Baldessari, cette œuvre capture la tension entre hasard et maîtrise. Prise sous le ciel limpide de Californie, la scène ludique du lancer de trois balles rouges se mue en un exercice à la fois futile et artistique. La composition minimaliste est d'une pure élégance conceptuelle, un palmier solitaire rompant le rythme visuel dans la dernière image.
- Ensemble de 3 planches
- Érable canadien naturel, impression haut de gamme
- Livré avec un certificat d'authenticité numéroté.
About the Artist
John Baldessari (1931–2020) was a groundbreaking American conceptual artist whose witty, irreverent approach reshaped our understanding of art. Starting as a painter, he abandoned traditional styles in favor of combining photography, text, and found images—often obscuring faces with bright dots or overlaying ironic statements—to challenge artistic conventions and emphasize ideas over technique composition.
In a famous gesture of reinvention, Baldessari destroyed his pre‑1966 paintings in the Cremation Project, signaling his break from the past. His career spanned decades, encompassing printmaking, video, installations, and sculpture—all infused with conceptual playfulness and visual clarity.
Beyond his art, Baldessari was a revered educator at institutions like UCSD, CalArts, and UCLA, shaping generations of artists in the conceptual tradition. His work earned global recognition—notably a Golden Lion for Lifetime Achievement at the Venice Biennale (2009) and the U.S. National Medal of Arts (2014).
John Baldessari (1931–2020) was a groundbreaking American conceptual artist whose witty, irreverent approach reshaped our understanding of art. Starting as a painter, he abandoned traditional styles in favor of combining photography, text, and found images—often obscuring faces with bright dots or overlaying ironic statements—to challenge artistic conventions and emphasize ideas over technique composition.
In a famous gesture of reinvention, Baldessari destroyed his pre‑1966 paintings in the Cremation Project, signaling his break from the past. His career spanned decades, encompassing printmaking, video, installations, and sculpture—all infused with conceptual playfulness and visual clarity.
Beyond his art, Baldessari was a revered educator at institutions like UCSD, CalArts, and UCLA, shaping generations of artists in the conceptual tradition. His work earned global recognition—notably a Golden Lion for Lifetime Achievement at the Venice Biennale (2009) and the U.S. National Medal of Arts (2014).