





No Title (You have a clear...), 1990
Limited Edition of 250
In this first collaboration with American artist Raymond Pettibon and MoMA, THE SKATEROOM explores the artist’s surfer-themed works to release two limited editions of 250: No Title (You have a clear…), 1990, and No Title (The bright flatness), 2003. Through these visuals, viewers ride along with a counterculture hero who, perhaps, is the artist’s nearest proxy.




About the Artist

Raymond Pettibon’s (b. 1957) influential oeuvre engages a wide spectrum of American iconography variously pulled from literature, art history, philosophy, religion, politics, sports, and alternative youth culture, among other sources. Intermixing image and text, his drawings engage the visual rhetoric of pop and commercial culture while incorporating language from mass media as well as classic texts by writers such as William Blake, Marcel Proust, and Walt Whitman. Through his exploration of the visual and critical potential of drawing, Pettibon’s practice harkens back to the traditions of satire and social critique in the work of eighteenth- and nineteenth-century artists and caricaturists such as William Hogarth, Gustave Doré, and Honoré Daumier, while reinforcing the importance of the medium within contemporary art and culture today.
Raymond Pettibon’s (b. 1957) influential oeuvre engages a wide spectrum of American iconography variously pulled from literature, art history, philosophy, religion, politics, sports, and alternative youth culture, among other sources. Intermixing image and text, his drawings engage the visual rhetoric of pop and commercial culture while incorporating language from mass media as well as classic texts by writers such as William Blake, Marcel Proust, and Walt Whitman. Through his exploration of the visual and critical potential of drawing, Pettibon’s practice harkens back to the traditions of satire and social critique in the work of eighteenth- and nineteenth-century artists and caricaturists such as William Hogarth, Gustave Doré, and Honoré Daumier, while reinforcing the importance of the medium within contemporary art and culture today.