Tapis volants - 1 et 2 - Illustrations originales
Œuvre originale
Tobias SPICHTIG vit et travaille entre Zurich et Berlin. Son œuvre explore la peinture, la sculpture et la performance. Dans le cadre du Weekend d'Art, de Skate et d'Engagement Social de THE SKATEROOM, l'artiste a créé un diptyque original de sculptures intitulé « Tapis volants », dont chaque pièce intègre un skateboard, un tapis, de la résine, de la fibre de verre et de la peinture. Il n'en existe qu'un seul exemplaire au monde. Cette collaboration avec Tobias SPICHTIG a été inaugurée le 27 avril 2022 à la galerie THE SKATEROOM de Bruxelles.
About the Artist
Tobias Spichtig (b. 1982, Lucerne, Switzerland) is a Swiss artist based between Berlin and Zurich, celebrated for emotionally charged paintings, sculptures, and installations that pulse with intensity and intimacy. Drawing inspiration from fashion, theater, music, and subcultural iconography, he crafts spectral portraits and objects that blur the line between glamour and void.
Spichtig’s distinctive figures—elongated, vampiric silhouettes—emerge in works that explore presence, identity, and the gaze. He frequently uses everyday objects like sunglasses or resin-coated garments, transforming them into icons of desire, concealment, and memory.
His major solo exhibitions span international venues such as Kunsthalle Basel (Everything No One Ever Wanted, 2024), Jan Kaps Cologne (People, 2024), Swiss Institute New York (Good OK Great Fantastic Perfect Grand Thank You, 2021), KW Institute Berlin, and Tao Art Space Taipei.
Spichtig sees his practice as “material spiritualism”—an act of painting and making as emotional encounter, where sensation precedes sense and presence is suspended between fascination and detachment.
Tobias Spichtig (b. 1982, Lucerne, Switzerland) is a Swiss artist based between Berlin and Zurich, celebrated for emotionally charged paintings, sculptures, and installations that pulse with intensity and intimacy. Drawing inspiration from fashion, theater, music, and subcultural iconography, he crafts spectral portraits and objects that blur the line between glamour and void.
Spichtig’s distinctive figures—elongated, vampiric silhouettes—emerge in works that explore presence, identity, and the gaze. He frequently uses everyday objects like sunglasses or resin-coated garments, transforming them into icons of desire, concealment, and memory.
His major solo exhibitions span international venues such as Kunsthalle Basel (Everything No One Ever Wanted, 2024), Jan Kaps Cologne (People, 2024), Swiss Institute New York (Good OK Great Fantastic Perfect Grand Thank You, 2021), KW Institute Berlin, and Tao Art Space Taipei.
Spichtig sees his practice as “material spiritualism”—an act of painting and making as emotional encounter, where sensation precedes sense and presence is suspended between fascination and detachment.