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Marc Leschelier's Lamyxer skateboard art by the skateroom
Marc Leschelier's Lamyxer skateboard art by the skateroom

Œuvre originale de Lamyxer

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Œuvre originale

L'œuvre originale qui a inspiré l'un des hexaptyques de skateboards LAMYLAND présentés lors de l' événement WHAT ARE WE SKATING FOR? de THE SKATEROOM . Cette sculpture de skateboard de Marc LESCHELIER représente Michèle LAMY vomissant du ciment, une image qu'elle considère comme symbolique de l'impact social de l'événement : la construction d'un skatepark en béton pour des jeunes en difficulté à Tameslouht, au Maroc. Marc LESCHELIER est l'un des membres du célèbre collectif LAMYLAND – six artistes sous le patronage de la légendaire Michèle LAMY, artiste aux multiples talents de renommée internationale, et cofondatrice et directrice générale de la société d'art et de mobilier Owenscorp.
Vue rapide
Marc Leschelier's Lamyxer skateboard art by the skateroom
Vue rapide
Portrait of Marc LESCHELIER

About the Artist

Portrait of Marc LESCHELIER

Marc LESCHELIER (1984) is working between the field of sculpture and architecture, he is building pavilions and architectural artifacts in experimental conditions. Marc lives, works and teaches architecture in Paris. His work explores directness in the construction process and the idea of non-functional architecture. Starting from a refutation of construction as a rational enterprise, the work reduces its domain to an elementary, instinctive and irrational approach.

Marc LESCHELIER (1984) is working between the field of sculpture and architecture, he is building pavilions and architectural artifacts in experimental conditions. Marc lives, works and teaches architecture in Paris. His work explores directness in the construction process and the idea of non-functi
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Marc LESCHELIER (1984) is working between the field of sculpture and architecture, he is building pavilions and architectural artifacts in experimental conditions. Marc lives, works and teaches architecture in Paris. His work explores directness in the construction process and the idea of non-functional architecture. Starting from a refutation of construction as a rational enterprise, the work reduces its domain to an elementary, instinctive and irrational approach.