See Alice Jump
Édition limitée de 50
Tiré à seulement 50 exemplaires, le pentaptyque See Alice Jump reproduit le tableau d'Alice Coachman réalisé par Taylor en 2011. Zadie Smith poursuit : « Nul autre n'aurait pu peindre See Alice Jump ou The Long Jump de Carl Lewis (2010), où des stars du sport afro-américaines s'élancent à travers l'horizontale chère à l'artiste, et par là même à travers le temps, les quartiers et l'histoire des Noirs. L'œuvre offre une vision de l'héroïsme qui coexiste avec les prisons et les cités, qui existe malgré ces réalités sans pour autant les effacer ni les justifier. Taylor a une vision globale. »
©Henry Taylor
Avec l'aimable autorisation de l'artiste et de Hauser & Wirth
About the Artist
Henry TAYLOR (b. 1958, Ventura, California) is a Los Angeles–based artist celebrated for his vibrant, empathetic portraiture that deeply engages with the lived experiences of African American communities and broader American life.
Taylor’s work spans solo exhibitions at institutions such as Studio Museum in Harlem, MoMA PS1, MOCA Los Angeles, and the Whitney Museum, including the acclaimed "Henry Taylor: B Side" retrospective. His art ranges from intimate portrayals of friends, family, and homeless individuals to public figures—including his 2025 Vogue cover portrait of Pharrell Williams painted from memory, reflecting his spontaneous and soulful style.
Henry TAYLOR (b. 1958, Ventura, California) is a Los Angeles–based artist celebrated for his vibrant, empathetic portraiture that deeply engages with the lived experiences of African American communities and broader American life.
Taylor’s work spans solo exhibitions at institutions such as Studio Museum in Harlem, MoMA PS1, MOCA Los Angeles, and the Whitney Museum, including the acclaimed "Henry Taylor: B Side" retrospective. His art ranges from intimate portrayals of friends, family, and homeless individuals to public figures—including his 2025 Vogue cover portrait of Pharrell Williams painted from memory, reflecting his spontaneous and soulful style.